Tuesday, October 25, 2016

Reviews of AbrakaPOW!

Hey guys!

Some great reviews have come out for AbrakaPOW, and I'd like to share them with you guys. First up, the review from Kirkus Reviews:

An aspiring young magician relocates to a camp for German prisoners of war in Abilene, Texas, in 1944 and inadvertently becomes part of a prisoner escape.
A native New Yorker, 11-year-old Max, her mother, and her ferret, Houdini, move to Camp Barkeley, where Max’s father’s in charge of captured German soldiers. White, Jewish Max doesn’t understand why her father’s “babysitting the Nazis.” Max muses to herself that “finding a kindred spirit here in cowboy land would be a magic trick even I wouldn’t believe.” Her smart mouth and superior attitude alienate classmates until the Gremlins, a group of misfits, adopt her. A prisoner named Felix convinces Max’s father to let her entertain prisoners with a magic show, and she accepts Felix’s offer to be in the final, vanishing act. When Felix disappears and other prisoners escape through a tunnel, Max feels responsible and participates in a series of dangerous plots to capture the escapees. Based on a real prisoner escape at the historic Camp Barkeley, this fictionalized version teems with kid pranks, friendly enemies, deceptive friends, and wartime xenophobia, all held together by a pushy heroine who “brings the magic.” 
Illustrated magic tricks add hands-on entertainment.
All the excitement, surprises, and tricks of a magic show.
Next up, the review from the Bulletin of the Center for Children's Books:


Orders are orders, and even the best of Maxine’s magic tricks can’t disappear the commands from the U.S. government that have her family moving to Texas so her father, Major Larousse, can oversee a Nazi POW camp. Even at eleven, Maxine’s a pretty darn good illusionist, and her skills with sleight of hand garner attention from two surprising places. A misfit group called the Gremlins wants Max to prank the school’s golden girl, but even more intriguing—and somewhat frightening—is the notice by Felix, a German inmate who shares Max’s affinity for magic tricks. When her dad asks her to perform a magic show for the prisoners, she and the Gremlins pull out all the stops, but it’s Felix’s vanishing act—and that of eleven other prisoners—that steals the spotlight. Escaped Nazis aren’t usually fodder for comedy, but Campbell manages a deft balancing act, with a third-person narration that moves from droll wit to a more serious tone. Spunky Maxine and her friends are kids of their time, with Maxine referring to her Japanese-American friend as an “Oriental cowboy” and another girl referencing “devil-worshipping Jews.” Contemporary youngsters will nonetheless sympathize with her school dilemma, and she’s a relatable character. Maxine’s father and Felix are well drawn supporting roles, each recognizing a fellow soldier in the other. The rosy ending requires more than smoke and mirrors to be realistic, but it’s nonetheless satisfying. For aspiring Houdinis, comic-strip-formatted instructions for various magic tricks are interspersed throughout the chapters.
I'll update this post as more reviews become available.

Excelsior!

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